Eurotrip soundtrack how does it feel like

This is the song when the soccer Hooligans are chasing this French guy with the frog football shirt in Paris. Scotty and Jenny are at a simple dutch bakery in Amsterdam and they are tasting special brownies.

Prosper Yop La Boum! The scene where the camera goes over the crowd and suddenly stops to get a better look at this French Girl. When they are all in the train, the italian guy Oh, mi scusi is with them and they are about to go through a 'big tunnel'.

Scotty's dream sequence he's dreaming this in the train when he's kissing Mieke, and we see this frame-in shot of David Hasselhoff. Cooper Harris sings this song when wearing the pope hat at the Vatican.

The opening credits song, with all the Airplane guidelines. Official Soundtrack OST. No soundtracks are currently available for this title. Watch Trailers. Comments Post. So it was kind of a family affair.

Who wrote it? Schaffer: I remember sitting in the office in Prague and we were trying to write some lyrics. We sort of went back and forth. Mandel: The guys who wrote the song, the band Lustra, is his backup band. Those are guys, some of which, we went to college with. One is also a brother of a guy we went to college with. And Matt was also at Harvard around the same time and knew some of those guys as well. It was a great day to be a Harvard graduate, so that helps. Nick Cloutman, Lustra: Our guitar player had gone to school with David and our former guitar player was in the Lampoon with him.

They knew about our band and we are looking for this song that has to basically play to the main character through the entire film. Mandel: We were punching up the song lyrics the way we punch up jokes in the script. As far as we were concerned that was dialogue and we wanted it to be as funny as possible, except it had to rhyme a little bit.

Cloutman: I thought they were looking for more subtle innuendos. We were trying to make a song that was telling this joke. Cloutman: I already had the annoying riff to the song lying around.

If you can imagine it slowed way, way down, in my head it always sounded like New Order. They were looking for pop-punk in the vein of a lot of music of the day, like Blink or Sum So we wrote for the genre. Mechlowicz: I remember the first time I heard it thinking, let me hear it again. I think the Soviets used it to Manchurian Candidate people. Mandel: It was a different thing with different lyrics.

And it was good! But this was just catchier, to us. I remember, very distinctly, Ivan Reitman and the other producers wanted the other version. And we had to fight a little but because we thought the Lustra version was just musically cooler and we just really liked it. It sounds like a song that could have easily been on the radio back in Matt Mahaffey, sElf: I was approached by the filmmakers.

An extremely cool, laid back team from my recollection. Someone was apparently a fan of my band, sElf, and thought my sense of humor might work for the song. I was briefed about the basic subject matter, names of key characters, and that was it.

No real scene context. It was a thirty-minute meeting in the valley, I wrote it in 15 minutes when I got to my studio and was as punky-crude as I could muster. Mechlowicz: Oh wow, I never heard this version. And I realized I would not be getting backstage passes to any sElf concerts. A sacrifice I was willing to make for the movie. Mahaffey: I was thinking that it had a really good shot, as the filmmakers liked it a lot and were cracking up with each new version we tweaked.

Schaffer: So we had a recording of the song and Matt Damon in wardrobe. Mandel: Matt had learned it. But we sent it to him and he learned it. And I think that all helps everything. He was just making the face. That scream is actually our music supervisor for the movie, Patrick Houlihan, which we added in post. I guess that was EuroTrip! Cloutman: One morning I got a call from this writer at Billboard and I was like who is this pranking me?

He said we charted on the Hot and we were one of the first unsigned bands, other than Lisa Loeb, to chart independently. Cloutman: What happened was we got this overwhelming response from people on MySpace. The fans were ultimately responsible for us charting on Billboard.

Mechlowicz: People quoted the movie from the outset, but it definitely exploded a little later. There was absolutely no social media back then, so it seemed to have caught fire once people were able to share. I was Ripley in The Talented Mr.